Kaala : Rajni’s swagger meets a strong screenplay

Kaala‘ (black) and ‘safed‘ (white), the two colours which are antithesis to each other, are at conflict. Kaala (Superstar Rajni) and Safed or Nana Patekar as Hari dada, have old scores to settle as Hari wants to get hold of the land of Dharavi, a place of the proletariant, of the working class of Mumbai. But there’s one man standing against Hari’s dream of cleaning up Dharavi, Kaala, the leader choosen by the people, for the people, of the people.

The highlight of the movie is it’s inherent conflict. The oppression done on the poor by the people roaming in air conditioned cars. Such themes have been widely explored in Hindi cinema and Kaala is no different. What’s different is Kaala’s crisp screenplay. No scene resembles a drag, ample of time is given for characters to develop in the first half. Kaala is a family man, has three sons, a loving wife and an old flame.

Kaala’s swag and style is what sets him apart. A man with a big heart whose action speaks more than him. A man who is widely respected in Dharavi and people are willing to give up their lives for him (many indeed give up). Some of the most dramatic moments are so brilliantly handled by Rajni sir. Also it’s astonishing to see him do amazing fight scenes at his age. No wonder why he’s treated as a God down south.

Nana Patekar, too, is one fine actor in a negative role. You know he’s acted well when you begin hating him by the end of the movie. He’s evil drapped in white, who looks all clean from outside but carries enough filth within.

Only if the movie could have been 20 mins shorter, the impact would have been much more.

A special mention to the well thought and stunningly shot climax. As Hari claims that your black symbolises your poverty and filth, Kaala firmly replies ‘Kabhi meri chawl me aa kar dekh, gandagi bhi rangeen dikhayi degi’ and that’s what he makes him show in the climax. It’s the highlight of the movie.

Go watch Kaala for the amazing Superstar Rajni and some spine chilling confrontations between Nana Patekar and him… On a lighter note, Kaala indeed sets the tone for Rajni sir’s entry in politics. It strikes the right chord to connect him with the biggest votebank of the country.

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